! 25%!

With the uploading of these postcards, I am officially one-quarter of the way done with goal 78! A few weekends ago, I went to visit Katelyn in Tampa and we trekked down to the Dali Museum in St Pete. There was some sort of special event going on that night and they were closing early to set up for it, so we only had about two hours to wander around. Luckily(?), the building is way too small for the museum's collection, and we were able to see just about everything without feel terribly rushed. And, of course, they weren't about to kick us out of the giftshop! I bought two postcards, one real card, and a poster - because it was two dollars cheaper than an 8x10 print of the same painting. So! Clicky clicky for the pretty!

Tres Picos - 1955

I think my favorite part of this sketch is something it might take a few seconds to notice... so take it all in for a second. I don't want to spoil anything. Go ahead, I'll wait.

...Yeah, that orchid is definitely blooming out of his crotch. It's a delightfully feminine representation of the phallus. Coming in a distant second is the leaf-hat-morphing-into-caterpillar. I just love Dali's playfulness, how he blends realities and unrealities and creates a game out of masking the lines.

The Lion Sketch - 1956

ZOMG LIONFACE. This one was not on display this time around, but when I saw it on the wall amidst all the other postcards, I knew I had to have it. He's probably the most adorable ferocious lion of all time, and I love him. These simple pencil drawings, that must have taken a quarter teaspoon of Dali's creative talents, make me intensely jealous of people who have both imaginative vision and the ability to execute that vision in a seemingly effortless manner. Intensely jealous. On Monday I'm going to draw another snail.

Girl with Curl - 1926

According to legend, Dali grew up fantasizing about a Russian peasant girl... three years after completing this painting, he met Gala, a Russian bourgeois girl (close enough) who left her husband to become Dali's muse, wife, object of candaulistic pleasure (fitting for a visual artist). Some say that makes this painting "prophetic" and read a lot into the odd perspective that cuts out the middle ground between the girl and the background landscape. I just like the sensuous curves, the sliver of a crescent moon mimicking the drapery over her backside, and the hints of myfavoritecolorblue in the upper reaches of the sky.

Gala Contemplating the Mediterranean Sea which at 20 Meters Becomes the Portrait of Abraham Lincoln - 1976

Painted for the bicentennial of America, a nation he only lived in for eight years decades before, this 448-pixel-wide version doesn't really capture the true power of this painting. Proportionally, I think you have to be about seven inches from the screen the first time you see it for the Gala part to be more powerful than the Lincoln part - the actual painting is one of those jumbo, wall-sized things, fifteen feet tall at least. I love how it's sorta pixely (before pixels were really a thing), and the little squares on the bottom that separate Gala and Lincoln into separate pieces. I especially love the bloodorange in the sky, textured like water, and how it reminds me of flying down the east coast at sunset.

In sum: Dali = awesome, and far more than the Persistence of Memory (iconic and awesome work though it is), and after they open the new space next January, I want to go back and see the whole collection.

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True Patriotism

I feel like such an awesome liberal today! I did my taxes AND wrote a VERY angry letter to Congressman John Mica about how he's going to vote on Sunday. VERY angry.

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Dear Congressman Mica,

This morning, I awoke to the most disturbing sound my clock radio has ever produced: you and a conservative radio host lambasting the pending health care bill as something that would create too much "bureaucracy" and "ration" Medicare for seniors, and repeating over and over again - without offering any specific alternatives of your own - "there is a better way to do this."

As you can imagine, this was not the way I had hoped to begin my day.

You may be unaware that the average American, whether or not she or he is insured, already experiences an overly bureaucratic health care system that rations care, and, moreover, is in favor of the better way set forth in the Democrats' bill, once informed of the specific provisions it contains. I understand that you, as a member of Congress, are furnished with a very good insurance plan as a matter of course, being an Important Government Figure, and generally have aides and assistants who navigate the paperwork for you. I also understand that as a member of the Republican party, you may be under the impression that the things Mitch McConnell and other prominent opponents to the bill say about it, such as, "Americans don’t want this bill. They’re telling us to start over. The only people who don’t seem to be getting the message are Democrat leaders in Washington," are true. But for you to claim all these positions and then on top of it all, not even offer a reform plan of your own, is ludicrous hypocrisy.

You, sir, are the one out of touch if you truly believe that legislation regulating the criminally negligent behavior of the insurance and pharmaceutical companies is anything less than urgently necessary for the future of our nation. Let's set aside the fact that this bill does not propose an actual government-run health care system (and that you and I both know it). A government system will ration care in an effort to cut costs? A government program will create too much bureaucracy to be efficient? Today's insurance giants deny care to millions of INSURED customers on the slimmest of bases, let alone all those they refuse to cover. Insurance companies, like ALL companies in a free market, are interested first and foremost in maximizing their profits. Please, for the love of democracy, explain to me how a company like Blue Cross or MetLife has less interest in cutting costs (and raising prices) than the United States government. Please explain to me why you believe that delivering platinum care to a few thousand Americans is more important than declaring that ALL our citizens are entitled to a gold standard that is within reach?

You and I agree on one point. There is a better way to reform health care than this. The manner of that reform is where we diverge, in more ways than one: I know what my picture of reform looks like. Congressman Mica, I plead you to recognize the true state of American health care today - see beyond your own friends, family, and campaign supporters to the other Americans who are hurting, physically and fiscally, because affordable health insurance is simply out of reach. You and I both know that each time Congress starts over on health care, Americans suffer - some even perish for lack of treatment. A for-profit health care system is no health care system at all - it is simply another self-interested, for-profit business, one that has no placed in a civilized nation that claims all its citizens are created equal.

The time is now. Please vote in favor of the health care bill on Sunday, for your conscience, for your constituents, and for your country.

Sincerely,

Caroline Leonard
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And you may ask yourself, how did I get here?

Dear Senator Nelson,

My letter today serves as a reminder that there are, in fact, people in our great state who urgently desire health care reform at the national level. I am sure you have received thousands of calls and letters in the last year on this issue, and I imagine a majority of them may have expressed concerns (to put it politely) about the bills proposed by both chambers of Congress and that laid out by the President. Please know that, despite being less well-organized than the tea partiers, we are no less passionate about this issue - and almost certainly more well-intentioned. And, most importantly, we are not as outnumbered as the ratio of letters and calls might suggest. Therefore, I plead that you not only continue to vote in support of health care reforms, but also aid in whatever ways you can to ensure that your reluctant collegues on both sides of the aisle do the same.

Florida is a state long caught between the divisive rhetoric of the two major parties, and myself and others respect and admire you for persevering in the face of persistent pressure to moderate your positions. With health care especially, any concessions to the Senate Republicans are tenfold concessions to the insurance and pharmaceutical industries. Too long has the true backbone of this country, the working middle class, been held hostage by false dichotomies spewed forth by industry lobbyists and the Congressional representatives who profit from preserving the entrenched system.

You must ensure that Senators from other closely contested states realize that the political capital that will result from the passage of a strong reform bill will compound in years to come - just as failure to reform the system now will compound against those who vote against it when the iniquities of the current system grow unchecked, as they inevitably will. This opportunity must not be permitted to slip away.

Sincerely,
Caroline Leonard
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Artful things

Last night, I was cleaning out my dropbox and realized I never posted the two Jesus postcards I bought two years ago at St Paul's in London, two of the founding members of my collection. For shame!

Also below the cut - an ad for an exhibition on now at the Met. It's about time I kick off goal number 84, and I absolutely adore simple sketch drawings like this. Something about them seems more... personal, more individual... closer to the artist, and therefore more remarkable that they have survived through the centuries. I suppose they're the visual arts equivalent of acoustic songs. Anyway, I'm going to be in New York in less than a month for Spring Break (Daily Show should be completed then, too!) and I am really excited about loading up my ipod with quiet music and going to go absorb the pretty :)



These are apparently part of a larger series called "The Way: The Truth: The Life," by Sergei Chepik, and were completed in 2005. They are the second and third pieces, "The Public Ministry" and "The Crucifixion," respectively. I love how forlorn they are, especially when compared with the rest of the St Paul's decor, which is much brighter and more traditionally "wondrous." (For reference, see #6 and #8 on this post.) It's good to be reminded by these darker works that St Paul's is one of the largest public mausoleums in the world, in addition to a place of worship.

And! Here's the exhibition's ad:

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